Bumble Bee Tuna 2012
San Diego based Bumble Bee Tuna adopts "The Reality Stradegy" for 2112.
Lent the Techniques, brought a green light and captured some photos for "Mikey". Solid Radio.
5MP Digital capture snap shot. With some Photoshop work. Troubling statistic, is that the Coronado bridge is the third most jumped off of.
One of Koh Chang's beautiful waterfalls photographed using 35mm color negative film.
Images used for print ads, salon posters and dvds. Photographs from this shoot can be spoted during the credits of "Zohan".
Preshow using 5MP digital capture. UNITE hair care sponsored the fashion show by styling all of the runway hair.
Directed by Robert Cromeans and Stephanie Kocielski. Shot on a Mamiya RB67 with color negative film. Almost zero retouching for this NAHA entry.
Shot in Robert's back yard using a Mamiya RB67, ring light and color negative film. Published in an Italian hard covered hair styling coffee book.
Shot in Robert's back yard using a Mamiya RB67, ring light and color negative film. Published in an Italian hard covered hair styling coffee book.
Hair and make-up by Manuella Goncalves. Shot on Pola-Pan instant slide film with a Nikon FM2.
Left is on location in Cabo and right is in San Diego. Both shot on Pola-Pan slide film with a Nikon FM2.
Bonnie (left) styled by New York club diva "Shelly Bomb" and Jessica Hopper (right) styled by Manuella. Both shot on TMAX using Nikon FM2. Processed and printed by hand.
Left shot on Pola-Crome instant slide film. Right shot on Pola-Pan using Nikon FM2 and available light. Pure photography.
Sergio Leone inspired compilation CD with the warning disclaimer "NOT A REAL MIX". Tracks were compiled and arranged by RSDork AKA DJ Mongoloid.
This documentary shares the journey of a middle aged man quiting his job to become a trapeze artist. His dream is realized when he becomes part of Cirque Du Soleil. The poster was created from an original canvas painting. Filmaker Kevin Flint.
Inspired by the love for space and adventure. And the fact that WD-40 is less than a mile away. For now the copy reads, "With only seconds to spare, the hatch was freed and jim made it."
The brochure celebrated the 25th year of Morey Bodyboards. Accordion fold presented the entire product line opposite a perfectly folded wave.
Justin G. McMahan took a big chance with a very small budget, when he stood in front of this oncoming train early in his risk taking career. |
80's electro sound chosen to go with the low-fi video filmed on HI-Bias audio cassette tape. |
April cover shoot for Runway Magazine. Produced in Los Angeles with Gary Lyons and hosted by John Paul Mitchell Systems. |
Contributors: Gary Lyons the bringer of lights and Stephen Alberts DP/Editor. |
Co-Creative Director credit with Reid MacDonald of West North Media: Produced by Jesse Ehman, Directed by Reid. |
Inspired from a personal purchase of National Geographic magazines, the whole campaign hinged on imagery and copy to compel one to embark on the epic adventure of Morey. Chad Farmer, Richard Dirk, Jim Dipiazza and John Davis.
"Art of Skate" used Daniel Harold Sturt solely to give true credibility to the term. The secret first Tony Hawk loop photographed by DHS.
Inspired by editorial layouts every ad was created around the photography of each pro rider. The writing of Mark Lewman and Daniel Chu combined with amazing imagery of snowboarding allowed Airwalk to cut through the traditional lines of action sports.
Inspired by editorial layouts every ad was created around the photography of each pro rider. The writing of Mark Lewman and Daniel Chu combined with amazing imagery of snowboarding allowed Airwalk to cut through the traditional lines of action sports.
"Them is fighting words" is what Daniel Harold Sturt said when he brought this photo in, as part of the "Art of Snow" campaign.
One of the most interesting photographs of a snowboard ever. By Daniel Harold Sturt.
Original concept, produced with Chad Farmer at the Lambesis Agency. Nordstrom private label brand developed at the Lambesis agency. Caslon as classic as the type font. Photographed by Mathew Rolsten.
Lead Art Director, produced with Chad Farmer at the Lambesis Agency. Photography Matthew Rolston.
Lead Art Director, produced with Chad Farmer at the Lambesis Agency. Photography Matthew Rolston.
Lead Art Director, produced with Chad Farmer at the Lambesis Agency. Photography Matthew Rolston.
Original concept, produced with Chad Farmer at the Lambesis Agency. Illustrated by Jordi Labanda.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photography Matthew Rolston.
Lead Art Director, produced with Chad Farmer at the Lambesis Agency. Photographed by Dah len.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head. "Inspired by the days at Yosemite".
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Dah Len. "Because robots can't tie their own shoes."
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head. Inspired by " In Like Flint".
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Lead Art Director, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Lead Art Director, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Lead Art Director, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photography Matthew Rolston.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photography Matthew Rolston.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Heather Graham, photographed by Matthew Rolston.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.
Original concept, produced with Chad Farmer at the Lambesis Agency. Photographed by Moshe Brakha at Commercial Head.